Over the past 20 years, Kang Byeong-in has worked hard to find and show us the diversity and new value of Hangul fonts that we have tried to ignore or not seek out, the beauty of our language, the rhythm contained in sounds, and even the joys and sorrows of life.

Over the past 20 years, Kang Byeong-in has worked hard to find and show us the diversity and new value of Hangul fonts that we have tried to ignore or not seek out, the beauty of our language, the rhythm contained in sounds, and even the joys and sorrows of life.

Over the past 20 years, Kang Byeong-in has worked hard to find and show us the diversity and new value of Hangul fonts that we have tried to ignore or not seek out, the beauty of our language, the rhythm contained in sounds, and even the joys and sorrows of life.

Over the past 20 years, Kang Byeong-in has worked hard to find and show us the diversity and new value of Hangul fonts that we have tried to ignore or not seek out, the beauty of our language, the rhythm contained in sounds, and even the joys and sorrows of life.

Over the past 20 years, Kang Byeong-in has worked hard to find and show us the diversity and new value of Hangul fonts that we have tried to ignore or not seek out, the beauty of our language, the rhythm contained in sounds, and even the joys and sorrows of life.

Over the past 20 years, Kang Byeong-in has worked hard to find and show us the diversity and new value of Hangul fonts that we have tried to ignore or not seek out, the beauty of our language, the rhythm contained in sounds, and even the joys and sorrows of life.

Over the past 20 years, Kang Byeong-in has worked hard to find and show us the diversity and new value of Hangul fonts that we have tried to ignore or not seek out, the beauty of our language, the rhythm contained in sounds, and even the joys and sorrows of life.